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If I bring a light in here, it’s going to add a lot of shadow to this side of their dresses and the suite, which is facing the camera. Now Rob always said to me when I first started shooting commercial if you want to get a lot of this detail in a dramatic image always have the shadow facing the camera. If I had it right here the shadow facing here not very dramatic if I have a flash here the shadows drops which is just facing the camera it’s a lot more dramatic.
You see this is a lot when you do cake shoots I always gets the flash behind the cake coming across and if there is any little, shadows which brings emote even more. Now I need a meter F16, Rob I might get you back like that let’s just make sure everything is going off, everything is going off.
Now I got the flash in the camera and that’s a little problem, now don’t hind the wind, I just like blue hair and your hair is growing it’s a little. See this is one of the divested stuff you do is there like walking towards the camera and candid stuff.
Top of the head, okay so I’m setting a really nice kick light plus behind it is adding plays bill later. So I’m going to have one coming to that, then after that, I’m going to bring her forward and have them both with me in the same direction using the one light. Now a little bit behind, so I got to coming down because I want to like the light about here I want a little bit of shadow in the camera side. Auto-manual it got this at full power, because it’s kind of hot.
Got to try to get the sun in the pictures but kind of exposed for it. So because I’m going manual but I’m still looking at my meter, right. So you come in like this, so you're telling me 160 of that F9 is half a stop under, which is pretty good. Where is your settings, no and I don’t feel nobody that was just a bit, kind of loomed completely. Yeah, just little of that way, yeah, just likes that.
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