Alright folks, Joe Wilson here, in this tutorial, it could be class this one the advance or maybe just for the beginning does really want to. When we are looking at something that everyone emails me about and one ask how you beat match. How do you do it? What is the best way doing it? What do I listen for, what do I look for, in other words how the buddy help you do it, right. Here is the good idea for you. Find two copies of the same piece of music if you see DJ’s then you lankly on top to make a back up. So burn mop in a PC burn a coffee and then put one on either side. If you got vinyl, I am afraid you are going to have to buy another piece of vinyl identical to your favorite wham.
Put them both on the turn tables both in the CDJ’s stop them off and exactly the same time. Now what you are listening for is you are listening for a sound that is called Phasing. And that’s why the actual beats join on that perfectly, perfectly matched. Now again, you can only get this properly if you have two identical records because are identical, because what happens every little sound effect and everything is perfectly together then of course they will all counts each other out. So what you will find is initially you will have that boom-boom that base feet. And slowly as they come together you will hear the base beats so they have become an echo and the actual base will disappear and you will just end up all these and what you have made on top, that is what you are looking for. Now again, a lot of this to do is to do with actually listening and looking. You are listening for that phasing sound but also looking is very important. I need you to study this pitch control because think about it, they are off beat and you can hear them slowly starting to phase as they phase, okay you need to look where that particular pitch control is, alright? Then you tweak down a tiny bit and if it goes off phase, you need to bring it up a bit.
If it comes back in to phase, take it back up a tiny beat, take it back time. Now, what will happen is simply this, think of this particular point. The two styles light, alright or even in the actual CD plays the laser is a very very tiny point and that laser catch that beat. A tinyof it or in other words, the laser has got to catch or the two lasers have got to catch the beats exactly at same point. Same principle with vinyl turns tables. You have a small tiny style light and this tint tiny style light go and catch those beats on either turn table as exactly the same point, exactly the same point. Now if yo8u think about it, when you will find tuning, your pitch controls, okay? There is no point when you can hear it phasing just doing this; you could have mess around very very tiny match. And I mean fractions, I mean 16, 32nd of an inch or a millimeter alright? Now what I am going to do, I am going to give you a demonstration and also I want you to listen. You will hear hopefully hear of them both together and you will hear them slightly but then as I try and get it in beat, what you will hear eventually is you hear the phasing. Now it could go off a little bit it could come back in a little beat but eventually what I am going to try to do is get them perfectly beat match. Alright, here we go, and again if you think I have set this up, what would do like that. If you have listened
Music playing
I hope you done a beat okay? So it’s right, pause at.
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