Alright folks, this is lesson 2 on using bass making treble in a feedback, because we’ve got at the moment, I’ve got a microphone plugged into the mixer, and then straight out of the mixer, into the input of the camera, okay so hopefully we’ll get a bit of the samples here, and lead there, that’s the one, get into the camera, so I got a mini light spatula, but what we’re gonna teach you now, we’re gonna play 2 records, 1 is not the only place to get back, which is there, it’s the love mix with a bit of a remix of Donald Summer and as well, anyway so I could triple and we have also Johnny Culprit, track on called Sunday shots, so, excuse me because I’m doing lots of things, here we go, check it out and try it (Music Playing), slow that down a bit, (Music Playing) okay, I think at the moment, bass is cramped, move further, okay? I’m gonna get bass slamming in a minute with Johnny Culprit (Music Playing), and I’ll knock the bass line off to monitor, (Music Playing). Now here, we’re gonna get a bass line and one of them, I’m gonna bring the bass line in and take the bass line out of Johnny Culprit. (Music Playing), I want you to cut the bass line in Johnny Culprit before you level it, (Music Playing). So, you can hear it in the background slowly (Music Playing). And that sound is that, so we got a bit melody from Johnny Culprit (Music Playing). I’m gonna bring the bass line back to the Johnny Culprit (Music Playing).
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