Danny Grady: Now let's figure out blues in B flat by the same system E, F, G, A, B. Now to make it enough flat you bring it down a half a step to make it sharp well there is B#, you will bring it up a fret. So let's make because B flat, flat, we'll just go again E, F, G, A, B and then bring it down one fret that note is B flat and then we are just going to figure out the one, bring it down the string; there is your four. Go up to fret that's your five. So we'll do blues in B flat, do the one chord for four beats, four chord for four bits, one chord for eight bits, four chord for eight bits and then your one chord for eight beats, five chords for four bits, four chord for four bits, one chord for four bits, then five.
Let's take a look at -- say if we wanted to do blues in F#, we will go E, F, and then we will make it sharp. Take that F, raise it up, I have to step a one fret and then makes it sharp. So here would be our one, our four, then our five.
And you can even change up the pattern in the middle of the two.
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Steve Rieck: Starting with the first fret across strings want to do it with the first fret, second finger on the second fret of the third string so that's little part of an F chord there.
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