Get it off your chest – be the first to comment on this video!
No text or picture Add-ons were added yet. How sad!
No Links were listed yet. Go ahead and share!
Danny Grady: Same exact thing happens on the fifth come up to the fifth. Remember here is our one, here is our four, and here is our five. Since it's tuned the same, same strings we can play the same pattern.
Let's count to the blues here; we will start with the one chord, four, back to one; again two bars of four, back to one; again, five, four, one, five. Make it your own. You can start adding extra notes. That ends up taking eight beats or two bars. So sometimes when you are playing it, especially at the beginning we change from the one to the four really quickly, you are going to have to truncate it and shorten it, I'll show you.
Got two bars, just one, just one again, and then feel free to just make some match from the -- if you remember where we did the chords where we did the fifth to the sixth. So just plug-in whatever you want over that one, four, five, blues progression and come up with your own take on the blues.
Giles Martin: Hi! This is Giles Martin, I am here at Abbey Road studio 2 talking about revolution. Musically revolution is the homage to John Lennon's influences, it's kind of chuck berry on over truck.
Male Speaker: So I am going to start out with a riff based on a B5 power chord. Your first finger is going to go on the seventh fret of the sixth string, third finger on the ninth fret of the fifth string.
Transcription by:
Scribe4you Transcription Services