Tim Huffman: So we are going to be working in this shape, leveraging mainly strings two, three and four, and then we are going to come back to the seventh fret, get the same thing in a D but I am going to open up the fourth string and work mainly on strings two and three. And then the E and it would be framed up here at the ninth fret. We are going to work at the back side of it.
So if I was just playing that line, I'd be sliding on the second string from ten to twelve, and then grabbing the first string at twelve, and then sliding second string eight to nine, and then coming up and grabbing the third string at nine. Then the D shape here at the seventh fret, I'll do the same descending line, and then we will get out with a little turnaround. That's really kind of drowning this, this A on the fifth fret of the first string and I am going to walk down on the fourth string, starting here at the fifth fret, fourth, third, and then second.
Now, I am just going to play this little open third, open line here on the sixth string and then end on the E node here, fourth string second fret.
Male Speaker: First phrase, I start again with the fifteenth fret on the first string and then a pull off from the seventeenth to the fifteenth fret on the second string. We are going to play two beats of the F major this time and two beats of C in that second major.
Transcription by:
Scribe4you Transcription Services