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Locrian Mode – Nate Bosch
Hi, I’m Nate Bosch and today’s lesson I want to talk to you about the seventh mode of
the major scale. This mode is called the Locrian mode. Now if we’re going to play a C
major scale we want to start the scale on the seventh note of the C scale which is B. But
we’re only going to be using the notes found in the C major scale. So let’s start, ill go
down a little bit here, we start just below, here’s the seventh note. There’s the scale.
Starting on the seventh note there’s the Locrian scale.
Now this mode helps us build what we call seventh chords. And you use that by playing
every other note in the scale to build the chord. So let’s start with B, we’ll skip a note to
D, skip a note F, skip another note A. Now if we play that chord right there what we get
is a B half diminished chord or you can also call it, there’s another name for it, B minor 7
flat 5. Now let’s apply that same principle to another scale. That was the key of C—let’s
pick G for example. So here’s the G major scale. Now the Locrian mode we start on the
seventh note of the scale which is the F sharp but we are only using the notes found in the
G scales. So we’ll start there—so there’s our scale. Now let’s build at the seventh chord
that comes out of that scale. We have the F sharp an A, a C and an E. So that’s what we
call an F sharp half diminished chord or F sharp minor 7 flat 5. So there you have the
Locrian mode.
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